Tift Merritt is a singer/songwriter whose talent and voice are a natural wonder to see and hear performed live. Luckily for our eyes and ears, we had Tift and her pedal-steel-playing partner, Eric Heywood, perform a quick set in front of Patrick Dougherty’s intricately detailed stickwork sculpture at the North Carolina Museum of Art. This is our second session filmed and recorded at the Museum this summer, and it can also be considered a warm-up for Tift’s NCMA Summer Concert series performance on August 19th. Tift Merritt and Friends will feature MC Taylor of Hiss Golden Messenger, Eric Slick of Dr. Dog, Alexandra Sauser-Monnig, The Suitcase Junket, food trucks, a Commissary pop-up featuring local retailers, and Butch Anthony’s Traveling Museum of Wonder. When Tift isn’t busy writing, performing, entertaining her sweet toddler Jean, or even creating a line of new vintage guitar straps, she is busy on the road promoting her latest album, Stitch of The World.

(Download/stream the full session: http://wny.cc/YxcMrG) North Carolina native Tift Merritt plays the title track from her latest album, Traveling Alone, on “Soundcheck With John Schaefer” at WNYC in New York. (She composed some of the records at a piano at City Winery, a downtown eatery, and a nightclub located across the street from our studios.) She’s backed here by guitarist Eric Heywood.

Tift Merritt – ‘The Full Session’ I The Bridge 909 in Studio

Raleigh, NC artist Tift Merritt performs ‘Dusty Old Man’, ‘My Boat’, and ‘Wait For Me’ and is interviewed by Jon Hart in TV Studio A at KCPT in Kansas City, Missouri.

90.9 FM The Bridge | bridge909.org | kcpt.org | eightonesixty.com

WYEP’s Live & Direct Session with Tift Merritt

Tift Merritt stopped by the WYEP Studios to play Live & Direct on April 4, 2017. Merritt played some tracks from her new album Stitch of the World and answered some questions from WYEP’s Rosemary Welsch. She spoke about the challenges of divorce, moving cities, and new motherhood; recording with Sam Beam; the poetry of Raymond Carver; and the legend of Icarus as well as writing and shooting a music video in the desert town of Marfa, Texas.

Set List: 00:40 Dusty Old Man 12:05 Wait For Me 16:57 My Boat 31:14 Traveling Alone

Marfa Texas

Marfa Texas

TIft Merritt from Show Nightcap
Dec 14, 2016 Tift Merritt’s sixth studio album, ‘Stitch Of The World,’ will be released on January 27 (it is now available for pre-order). Merritt will support the record with an international tour that opens on January 20. She shares the lead track from ‘Stitch Of The World,’ live at Relix.
Tift+Meritt with daughter in arm

Tift Merritt

Tift is an important Artist in my life for a myriad of reasons.   Tift Merritt is one of the first artists I saw live in Durham, NC, at the Americana music series at Fowler’s Gourmet Market loading dock. Fowler’s Gourmet Market for the newbies is now Parker and Otis.   When I heard her sing the first note, I was smitten.  Tift has such great Southern roots/rock/blues/country/ (see Americana) that it is impossible to pigeonhole voice.  So many comparisons to great singers of the past, yet her voice is Tift’s own-unique blend of styles and innate Raleigh, NC-born nature.  A large part of the color in her voice was honed in Bynum at the Country store.

Now how does she stand up as a songwriter-as good as Joni Mitchell? Is this even a fair comparison?  My answer is yes and yes.  Tift has matured as a songwriter, but even the early songs show signs of a mature, wise beyond-chronological-years artist.  So many other artists may come to mind or be put there by other music writers and critics.

Singer/songwriter Tift Merritt seemingly appeared out of nowhere in the spring of 2002 with her acclaimed debut album, Bramble Rose. Still, as is often the case, this triple-threat artist — a gifted singer, superb songwriter, and skillful guitarist — has plenty of experience. Born in Houston, Texas, in 1975, Merritt’s family moved to North Carolina when she was young, and she’s lived there ever since. When she was a child, Merritt first developed an interest in music and learned to sing harmonies with her father, who had dabbled in folk music in his younger days; in her early teens, she picked up a guitar, and her dad taught her first four chords. While Merritt was drawn to the rebellious spirit of punk and indie rock, she felt a greater emotional connection with more acoustic-oriented artists, particularly Joni Mitchell (Merritt once told a reporter, “I went through a Joni Mitchell phase — and all girls go through a Joni Mitchell phase; if any girl tells you she never did, don’t believe her.”). Hearing Emmylou Harris’ album Quarter Moon in a Ten Cent Town opened Merritt’s ears to roots music, and she soon began to immerse herself in North Carolina’s active alt-country scene. Merritt began appearing on a semi-regular basis with the band the Two Dollar Pistols, singing duets with lead singer John Howie and playing rhythm guitar; she eventually appeared on a seven-song EP of classic country covers the group released in the fall of 1999. Looking for a vehicle for her songwriting, Merritt had formed a band called the Carbines in 1998 with drummer Zeke Hutchins, guitarist Greg Reading, and bassist Jay Brown; the band soon became a fixture on the North Carolina club scene and released a well-received 7″ single.

Between the Carbines and the Two Dollar Pistols, Merritt was becoming a popular figure in the North Carolina roots music community, and in early 2000 Merritt and the Carbines seemed poised to sign a contract with Sugar Hill Records. The deal fell through at the last minute, but when Merritt won the Chris Austin Songwriting Contest at the annual 2000 Merlefest Music Festival, it sparked a new round of interest in her work. Fellow North Carolina native Ryan Adams brought Merritt to the attention of his manager, Frank Callari, and he began shopping a record deal for her; when he was hired as an A&R executive for the Universal-distributed roots music label Lost Highway, Merritt became one of his first signings. (While Merritt was signed as a solo act, she’s continued to use the Carbines as her backing band, both for live shows and for the recording of Bramble Rose.) Her debut album was released to enthusiastic reviews in June 2002. The George Drakoulias-produced Tambourine appeared two years later, followed by Another Country in 2008, and the live Buckingham Solo in 2009, both on Fantasy Records. Traveling Alone, recorded in Brooklyn and featuring guest spots from Marc Ribot, Andrew Bird, and others, appeared in the fall of 2012. Merritt teamed up with classical pianist Simone Dinnerstein for a unique collaborative project, the 2013 album Night, in which they performed a variety of pop, folk, jazz, and classical pieces. Merritt also collaborated with Andrew Bird in his group the Hands of Glory, appearing on their 2014 album, Things Are Really Great Here, Sort Of…. In 2017 Merritt released her seventh studio album, Stitch of the World, produced by Sam Beam of Iron and Wine. ~ Mark Deming

Tift Merritt wastes no time gettin’ to it on Stitch of the World, kicking off with the rowdy, countrified folk of “Dusty Old Man.” Piano-led weeper “Heartache Is an Uphill Climb” follows dramatically, showcasing her commanding warble. Merritt’s deft songwriting contains multitudes, and she gets mystical on the album’s title track with a windswept arrangement that conjures dark desert nights. And Sam Beam, a.k.a. Iron & Wine, delivers a beauty of a feature on “Wait for Me.”

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Travelling Alone Review


Tift Merritt’s body of work so far has shown anything, it’s that she seems incapable of making an uninteresting or emotionally dishonest record, and she can work in several different ways and still sound like herself. Traveling Alone, Merritt’s fifth studio album was recorded in Brooklyn with producer Tucker Martine, and for these sessions, Merritt and her studio band cut the bulk of the material live in the studio, with a group of stellar accompanists including Marc Ribot on guitar, John Convertino on percussion, Eric Heywood on pedal steel, and Jay Brown on bass. The close interaction of the musicians is a large part of the sound of Traveling Alone — hearing them kick into gear in the intro to “Still Not Home” is a thrill — but despite having a band of top-flight players behind her, Merritt is very much the focus of Traveling Alone throughout, and she’s in typically excellent form. The title cut is a bittersweet meditation on the joys of solitude and much of Traveling Alone concerns itself with freedom and following one’s path, for better (“To Myself”) or for worse (“Still Not Home”), and Merritt’s lyrics are eloquent with an artful touch that doesn’t compromise their sincerity and direct focus, while her strong but elegant melodies are a fine match. As a vocalist, Merritt continues to go from strength to strength, and the purity of her instrument and the intelligence of her phrasing, as well as her sure-footed musical instincts, suggest she’s maturing into the Emmylou Harris of her generation. And with guest vocalist Andrew Bird doing his best Roy Orbison impression alongside Merritt’s lead, “Drifted Apart” is the best ballad of Broken Hearts to appear so far in 2012. Traveling Alone feels more spontaneous and immediate than most of Tift Merritt’s previous work, but it’s no less beautiful or affecting for it, and it offers further evidence that Merritt is as good a singer/songwriter as anyone working the form these days. [Yep Roc Records released a deluxe expanded edition of Traveling Alone in the fall of 2013 that included an illustrated hardbound lyric book and a bonus disc of acoustic performances.]

Mark Deming

Author, Allmusic.com


6,765 views Oct 25, 2012

Tift Merritt at Keyboard in Melbourne Australia


For Traveling Alone, Tift Merritt’s Yep Roc Records label debut, Merritt put together her dream cast to make a record that was real, raw and live off the floor. Recorded in Brooklyn in 8 days, this album was produced by Tucker Martine (The Decemberists, My Morning Jacket), features a guest appearance by Andrew Bird and a band that includes Marc Ribot (Tom Waits), Eric Heywood (Pretenders, Son Volt), John Convertino (Calexico) and longtime collaborator Jay Brown. These songs were written and traveled by Tift Merritt. Special Guest Moderator: Rita Houston Hosted by Michael Kauffman Directed by Lee Stimmel Audio by John Clemente and David Rosenberg


“Feeling of Beauty” – Porch

From Tift Merritt’s Traveling Alone, out 10.2.12 on Yep Roc Records.


Tift Merritt with Greg Redling, Zeke Hutchins, Jay Brown & Dave Wilson Southern Downtown Shakori Hills GrassRoots Festival Spring 2011 – Meadow Stage Pittsboro, NC 4-24-11

10 Songs, 37 Minutes


Tift Merritt wastes no time gettin’ to it on Stitch of the World, kicking off with the rowdy, countrified folk of “Dusty Old Man.” Piano-led weeper “Heartache Is an Uphill Climb” follows in dramatic fashion, showcasing her commanding warble. Merritt’s deft songwriting contains multitudes, and she gets mystical on the album’s title track with a windswept arrangement that conjures dark desert nights. And Sam Beam, a.k.a. Iron & Wine, delivers a beauty of a feature on “Wait for Me.”

Tift+Merritt readling to her daughter


Originally released in 2002, GRAMMY-nominated, singer/songwriter Tift Merritt’s debut album, Bramble Rose, was named one of the year’s best by The New Yorker and garnered rave reviews worldwide. This year marks the 14 year anniversary of the critically acclaimed record and Yep Roc Records celebrated by re-releasing a limited edition LP. We were lucky enough to spend an afternoon with Tift, where she played us a few tracks from Bramble Rose, including “When I Cross Over.”


Tift Merritt live from Austin TX

The original lineup at ASL with Jay Brown on bass, Zeke Hutchings (then husband of Tift) on drums, Danny Eisenberg on Keys, and the super talented Superego, Brad Rice on guitar.


Music video by Tift Merritt performing Virginia, No One Can Warn You. (C) 2001 Mercury Records, a Division of UMG Recordings, Inc.

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