paramore-hayleywilliams-tayloryork-zacfarro-hardtimes-paramore-iphone-wallpaper
Hayley Williams is a soprano with a four-octave range.

Range: Bb2 – A5 – A6
Vocal Type: Light Lyric Soprano (4 octaves)
Vocal Rating: B
Recommended Listenings: All I Wanted, Decode, Ignorance

Positives:

The voice is well connected throughout all registers. The sharp tone allows Hayley’s voice to soar over the roaring instrumentation of the band. Her vibrato is one of her most vital assets, as it can make her notes roar and can give them a mystical quality (See the chorus of Decode). Her stamina and breath control are excellent, allowing her to headbang without the pitch changing or sounding out of breath. She can also control voice cracks to convey emotions (See Still Into You).(1)

Paramore is Hayley Williams and Taylor York along with a team of first-rate rotating musicians. Current 2021 Paramore band personnel include 2 (see aforementioned). Hayley Williams is beyond brilliant. Hayley Williams’s vocal control, range, creative vocal instrument choices, and stage energy are in a place of their own. Hayley is fun to watch. Now we fall in love with her abundant creative effervescence.

Taylor York joined Paramore after the departure of Hunter Lamb in 2007  as a rhythm guitarist.  Through trials, member departures, and other drama Taylor decided to stay collaborating with Hayley and is credited with keeping the energy and tenure of the band alive into and throughout 2021. York plays lead and rhythm guitar for the band, he also plays xylophone, drums, and keyboard. York was born on December 17th, 1989 in Nashville, Tennessee. Taylor York is a credited songwriter and producer. 

Hayley was born in Meridian, Mississippi. Meridian is the seventh-largest city in the U.S. state of Mississippi, with a population of 41,148 at the 2010 census and an estimated population in 2018 of 36,347. It is the county seat of Lauderdale County and the principal city of Meridian, Mississippi.

Do you want more information about the other changing members of Paramore?  Well, you came to the wrong website since we know that all great bands of many members eventually come down to 1 or 2 members standing in the end.   If you want more evidence to this well-established fact visit our recent article about the Lumineers.  Please tell me what Paramore band is without Hayley or the Rolling stones sans Mick Jagger and Keith? The Beatles without George Harrison? Got you with the last one which does not belong to the others.  But, we must insist George’s contribution was significant and his solo discography remains the best of the rest. 

Hayley Williams: Tiny Desk (Home) Concert

 

SETLIST “Pure Love” “Taken” “Dead Horse” MUSICIANS Hayley Williams: vocals, keys, guitar Aaron Steele: drums Joey Howard: bass Becca Mancari: synth, vocals Julien Baker: guitar

CREDITS Video: Mike Kluge, Jonny Kingsbury, Derec Dunn, Violeta Boix Audio: Travis Bing Miniature Art Director: Natalie Hosselton TINY DESK TEAM Producer: Lars Gotrich Video Producer: Morgan Noelle Smith Audio Mastering: Josh Rogosin Associate Producer: Bobby Carter Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern Executive Producer: Lauren Onkey Senior VP, Programming: Anya Grundmann

Hayley Willliams Wallpaper HD

This NPR Mini desk home concert is a great example of Hayle’s creative diversity.  Listen to the first and second tracks.  Notice the expected vocal acrobatics and something only the best vocalists have, the alchemy to channel any voice, sound, Genre riffing, or fluid skipping from the creative ether.   Hayley at times vibes like Sneaking sally thru the alley Robert Palmer other times scatting like Ella.  All the time sounding like Hayley Williams.

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Hayley Williams’s speech about women’s rights

Cordeiro Municipal Park (Martin Luther King), Brazil Published on January 19, 2018 Canon, EOS REBEL T5 Free to use under the Unsplash License Photograph produced on a rainy day, where the concept was to get the detailing of all the composition, including the rain.

Hayley Williams: Mind-Body Breakthroughs, Weird Weddings, & Intensive Therapy

 

Hayley Williams, the Grammy Award-winning singer and founder of Paramore, shares her experience of ‘getting out of a traumatic relationship and the mind-body connection she uncovered during the process. Mayim and Hayley connect over their shared choice of combat boots and disconnected enthusiasm from their previous weddings. Hayley opens up on her recent journey through intensive therapy and how an integrated health approach has positively impacted her life. The conversation turns esoteric and mystical near the end, discussing intergenerational trauma and the family system.

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Paramore: After Laughter Tour Three: Live from Paris

 

Created in 2018 with no publishing intention, I’ve finally re-edited this concert film in 2022 to share it. After attending this concert back in the day, I wanted to have a memory of it. So here is “Paramore: After Laughter Tour Three: Live from Paris”!

 

Twitter: @hetenbern

00:00 – Intro
01:40 – Hard Times
05:02 – Ignorance
09:20 – Still Into You
12:53 – Forgiveness
16:40 – Fake Happy
19:58 – talking
21:01 – That’s What You Get
24:53 – I Caught Myself
28:54 – Pool
32:42 – talking
34:26 – Hate To See You Heart Break
39:56 – Caught In The Middle
43:28 – Told You So
46:52 – Idle Worship
50:10 – No Friend with Aaron Weiss
53:48 – Paris retrospective
58:48 – Misery Business
1:06:10 – Ain’t It Fun
1:11:25 – Grow Up
1:14:24 – French Class
1:18:35 – band presentation
1:20:29 – Rose-Colored Boy
1:24:16 – CREDITS

CREDITS:
Nowayfarer Guitarist / Unjouruneenvie / Recee338 / cho7kipu / MllesParrow / Stephane Rocknlive / VI0 / abenn / Galinette01 / Thomas A. / Raphaël C / TheLeaDD8 / Prescillia porrtelli / Justine D / TheHalfCentury / Laureen / Slashtwobaz / Morgane Williams / Sana ben-salah / Sébastien Decleir / bibout182 / Marion Gence / Lauubill / NFLS92 / Florian Gilbon / Charlène Revidon / Hannais / Paramore
THANK YOU!

FOR ENTERTAINMENT USE ONLY
All rights belong to Paramore and Fueled By Ramen.
Copyright disclaimer under section 107 of the copyright act 1976, allowance is made for “fair use.”

Paramore: This Is Why [OFFICIAL VIDEO]

Premiered Sep 28, 2022

Video Credits: PARAMORE: Hayley Williams, Zac Farro, Taylor York Director: Brendan Yates Cast: Kayla Graninger Cast: Zachary Gray Production Company: Vizionary Producer: Evan McGillivray Post Producer : Rachel Rinehardt Director of Photography: Ian Hurdle Post: Slips Studios Editor: Anthony Miralles 1st Assistant Director: Eugena Neumann Production Designer: Jose Rojas Lead Person: Peter Martinez Production Assistant – Art: Alex Henery Art Director: Alexandria Heine Hair Stylist: Brian O’Connor Wardrobe Stylist: Lindsey Hartman Wardrobe Assistant: Kelly Page 1st Assistant Camera: Seth Lawrence 2nd Assistant Camera: Devin Hassan Key Grip: Jason Gray Best Grip: Jay Lopez Grip: Robert Alvarez Grip: Daniel Ahumada Gaffer: Ben Bowen Best Electric: Kevin Coulson Driver: James Beals Driver: Douglas Bloxton Choreographer: Alejandro Lara 2nd Assistant Director: Alyssah Powell Production Assistant: Kelsey Leitner Production Assistant: Jyothsna Venkates Production Assistant: Kenner Clark

Lyrics: If you have an opinion, Maybe you should shove it, Or maybe you could scream it Might be best to keep it To yourself This is why I don’t leave the house You say the coast is clear, but you won’t catch me out Oh why? This Is Why it is Better to have a conviction We want crimes of passion, Survival of the fittest You’re either with us, or you can keep it To yourself This is why I don’t leave the house You say the coast is clear, but you won’t catch me out Oh why? This Is Why One step beyond your door Might as well have been a free fall One step beyond your door Falling down an endless hall One step beyond your door Might as well have been a free fall One step beyond your door And I’m floating like a cannonball This is why I don’t leave the house You say the coast is clear. Still, you won’t catch me out Oh, why? This Is Why

SONG
This Is Why

ARTIST
Paramore

ALBUM
This Is Why

LICENSES

 

 

Paramore 2020 3 member band HD

PARAMORE – 26 LIVE (Hayley cries mid-song)

 

Paramore – 26 live at the forum 7/18/18 Hayley talking about after laughter before singing 26 and crying mid-song when she looks at us center barricade If you use my videos please credit me. My Twitter and Instagram handles are both the same as my YouTube name @britanysaurus

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Tina Turner approved this cover!

Why this video in the midst of a Hayley Williams article (you can hear it can’t you)?

 

 

Walk off the Earth cover the Tina Turner classic “What’s Love Got To Do With It”.

Performed by:
Gianni Luminati
Adam Michael
Sarah Blackwood
Joel Cassady
CJ Hinds
Tokyo Speirs

Directed by Paul Maxwell
Recorded By Tokyo Speirs
Produced By Golden Carrot Productions 🥇🥕


Hayley-Williams orange hair period with microphone on stage
Hayley Williams on new album

Hayley Williams – Hayley Williams and Zane Lowe “Petals for Armor I” Apple Music Interview

 

Apple Music’s Zane Lowe speaks with Hayley about her debut solo project, ‘Petals For Armor’ – Part I coming Feb 6 on Apple Music: https://apple.co/hayleywilliams The Petals For Armor Tour is coming to North America, Europe & the UK this May-June. Get tickets now at http://petalsforarmor.com.

Paramore: ‘After Laughter’ Full Interview | Apple Music

cody-lannom- Broadway, Nashville, TN, USA Published on April 9, 2020 SONY, ILCE-7RM2 Free to use under the Unsplash License D-unsplash

Hayley Williams – Dead Horse [Official Music Video]

 

Directed by Zac Farro Produced by – Derec Dunn Director of Photography – Nyk Allen Creative Director – Lindsey Byrnes Music Written by: Hayley Williams and Daniel James Music Produced by: Taylor York Editor – AJ Gibboney Art Direction – Kayla Graninger Hair and Makeup – Brian O’Connor Styling – Lindsey Hartman Assistant Producer: Violeta Boix Production coordinator: Omar Gomez & Kelsey Hack Steadicam – Drew Allen Weaver 1st AC – Benjamin Steen AC – Maria Valletta Gaffer – Caleb Morrison Key Grip – Tim Chapin Best Boy Grip – Barham Lashley Best Boy – Andrew Kendell Best Boy – Paul Kane —

 

 

 

Dead Horse (Lyrics) Every morning I wake up from a dream of you holding me underwater (was that a dream or a memory?) Held my breath for a decade dyed my hair blue to match my lips cool of me to try (pretty cool I’m still alive) I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record I sang along To a silly little song I said I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record And I sang along A shitty never ending song Sometimes it’s good to be the bigger person But I’m so small I can’t compare and after all, it’s only fair yeah I got what I deserved – I was the other woman first Other others on the line But I kept trying to make it work I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record I sang along To a silly little song I said I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record And I sang along A shitty never ending song YAYAYAYA When I said goodbye I hope you cried When I said goodbye I hope you cried When I said goodbye I hope you cried When I said goodbye I hope you cried I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record I sang along To a silly little song I said I beat it like a dead horse I beat it like a drum Oh I stayed with you too long Skipping like a record And I sang along A shitty never ending song YAYAYAYA Now you get another song Now you get another song

Leaf image on grey surface on black mat

Directed by Warren Fu
Produced by Whitney Jackson
Director of Photography – Thomas Banks
Creative Director – Lindsey Byrnes

Music Written by Hayley Williams, Taylor York & Joey Howard
Music Produced By: Taylor York

Local Producer (Tennessee) – Loren Hughes & DREAMBEAR
Executive Producer – Sara Nix
Production Company – Partizan Entertainment
Costume Designer – Steph Thorpe
Hair & Makeup – Brian O’Connor
Special Effects Makeup – Ben Rittenhouse
Production Designer – Marcus Cooley
Story by – Warren Fu, Hayley Williams & Lindsey Byrnes
Editors – Warren Fu & Wes Sanchez
Color – Kaitlyn Battistelli @ Ethos
Sound Design – Brandon Kim @ Therapy Studios
VFX – Eric Epstein
VFX – Max Colt @ Frender

Hayley Williams – Simmer [Official Music Video]

Hayley Williams – Simmer in the Live Lounge

 

Hayley Williams performs Simmer in the BBC Radio 1 Live Lounge

 

 

Recommended Consumer Reports highest score 82

CR’s Take

This iPod/iPad/cellphone-centric model from 1MORE delivers excellent sound quality and is a decent choice for the listener who will not be satisfied with anything less than top-notch music and movie soundtrack playback. These earphones have an isolating design; they will both muffle some external noise and limit the amount of sound that escapes from the earpieces. These highly portable earphones are best for those who want some isolation from outside noises or don’t want the sound from the earpieces to disturb others.

Detailed Test Results

 

Design and features: These earphones have medium-high sensitivity so they can provide satisfying volume levels when used with home audio equipment and even lower-powered portable audio devices. The Quad Driver has an integrated microphone and volume, music player function, and call connect/disconnect controls that are compatible with iPads, some iPods, and some iPhones, and some other cellphones. The call connects/disconnect button can be used with some iPhones and some other cell phones. These earphones may not operate properly with some non-Apple/non-Android mobile devices or other audio equipment. This model comes with nine pairs of earpieces in various sizes and types, a mini-plug-to-1/4-inch-plug adapter, a mini-plug-to-airplane-jack adapter, a removable shirt clip, and a carrying case.

 

Sound quality: We found the Quad Driver delivers sound quality that falls in the excellent range; while no earphone is perfect, the sonic shortcomings of this model are minor. The overall sound can best be summarized as fairly clear and evenly balanced. Bass (as in bass drums, bass guitars, stand-up bass, etc.) has a good impact and goes deep. The midrange (voices, guitars, horns, etc.) is fairly even but a touch hazy and grainy. The treble (cymbals, the upper range of violins, etc.) is extended and fairly even, but the upper treble is a bit sizzly (sounds that should have a delicate shimmer have a sound a bit reminiscent of bacon frying). The sound has a decent sense of liveliness and is somewhat open — sound-wise it almost seems like you don’t have anything plugging up your ears. The sound is very similar to that of the 1MORE E1001 Triple Driver, but the bass and treble are more even.

 

Comfort: We found that these earphones fit and stay in place with no problem, but as typical of in-ear models they produce a sense of pressure in the ear opening that might be uncomfortable for some.

Simmer (lyrics)

Rage is a quiet thing
You think that you’ve tamed it
But it’s just lying in wait
Oh
Rage
Is it in our veins?
Feel it in my face when I least expect it

Give in

Control
There’s so many ways to give in
Eyes close
Another way to make it to 10
Oh, how to draw the line between wrath and mercy?
Simmer simmer simmer simmer simmer down

Control
There’s so many ways to give in
Eyes close
Another way to make it to 10
Oh, how to draw the line between wrath and mercy?
Simmer simmer simmer simmer simmer down

If I had seen my reflection
As something more precious
He would’ve never
Mmm and if my child needed protection
From a fucker like that man
I’d sooner gut him
Cause nothing cuts like a mother

Give in

Control
There’s so many ways to give in
Eyes close
Another way to make it to 10
Oh how to draw the line between wrath and mercy?
Simmer simmer simmer simmer simmer down

Control
There’s so many ways to give in
Eyes close
Another way to make it to 10
Oh how to draw the line between wrath and mercy?
Simmer simmer simmer simmer simmer down

Wrap yourself in petals
Wrap yourself in petals
Wrap yourself in petals for armor
Petals for armor

Give In

Control
There’s so many ways to give in
Eyes close
Another way to make it to 10
Oh, how to draw the line between wrath and mercy?
Simmer simmer simmer simmer simmer down

Hayley Williams – Simmer (Acoustic) |Extended|

Hayley Williams – Don’t Start Now (Dua Lipa cover) in the Live Lounge

edward-howell-Siberian grey cat up close-unsplash-scaled

Hayley Williams – Simmer (acoustic)

 

Hayley-Williams-2020-Wallpaper

Hayley Williams – Why We Ever [Official Lyric Video]

 

Written by Hayley Williams and Micah Tawlks Produced by Taylor York Additional Production by Micah Tawlks Aaron Steele – Drums Joey Howard – Bass Hayley Williams – Vocals, Keys Taylor York – Additional Instrumentation

 

riff-section-2-play

Get Studio Quality Recording with the RIFF Audio Interface at PositiveGrid.com! Limited Time Offer!

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riff-large-display-device-new

 

 

Your new home rig is supercharged.

RIFF has everything you need for playing, recording, and practicing guitar. A best-in-class interface with pristine audio converters and a direct mode for zero latency, RIFF includes a crisp display housed in a rugged metal body. Connect it to BIAS FX 2 software for a dream power rig packed with amazing tone and versatility.

 

 

Hayley Williams – “Why We Ever” Sunday Sessions ft Joey Howard

Song
Why We Ever
Artist
Hayley Williams
Album
Why We Ever
Licensed to YouTube by
WMG (on behalf of Atlantic Records); LatinAutor – Warner Chappell, PEDL, ASCAP, Polaris Hub AB, Warner Chappell, LatinAutorPerf, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM, and 7 Music Rights Societies

Chicago buildings image by Franklin Crawford

Hayley Williams – ‘Leave It Alone’ Sunday Session ft. Joey Howard

 

‘Leave It Alone’ Sunday Session ft. Joey Howard by Hayley Williams

Hayley Williams

Paramore: NPR Music Tiny Desk Concert

 

 

paramore-hd-wallpaper-preview
Dilapidated Barn with multicolored wood panels by Franklin Crawford

Paramore – Hard Times in the Live Lounge

 

Paramore 2020 3 member band HD

Paramore: Last Hope (LIVE)

 

Paramore’s live video for ‘Last Hope’ from the MONUMENTOUR in Chicago, Illinois on July 11, 2014. The song originally appears on the self-titled album – available now on Fueled By Ramen at http://smarturl.it/paramore-itunes

Directed by Michael Thelin Audio Mixed by Jeff Julaino Assistant Engineers: Dave Cook and Tony Alany LYRICS I don’t even know myself at all I thought I would be happy by now The more I try to push it I realise — gotta let go of control Gotta let it happen Just let it happen It’s just a spark But it’s enough to keep me going And when it’s dark out, no one’s around It keeps glowing Every night I try my best to dream Tomorrow makes it better Then I wake up to the cold reality And not a thing has changed But it will happen Gotta let it happen It’s just a spark But it’s enough to keep me going And when it’s dark out, no one’s around It keeps glowing It’s just a spark But it’s enough to keep me going And when it’s dark out, no one’s around It keeps glowing And the salt in my wounds isn’t burning anymore than it used to It’s not that I don’t feel the pain, it’s just I’m not afraid of hurting anymore And the blood in these veins isn’t pumping any less than it ever has And that’s the hope I have, the only thing I know that’s keeping me alive Gotta let it happen It’s just a spark But it’s enough to keep me going (So if I let go of control now, I can be strong) And when it’s dark out, no one’s around It keeps glowing It’s just a spark But it’s enough to keep me going (So if I keep my eyes closed, with the blind hope) And when it’s dark out, no one’s around It keeps glowing

 

 

 

max-bender-Chicago, IL, USA Published on February 10, 2020 NIKON CORPORATION, NIKON D810-unsplash

★ PARAMORE – 2014 READING&LEEDS FESTIVAL (FULL SHOW)★

 

★A different video but this is Paramore! This is Paramore at the 2014 Reading and Leeds Festival full show! ENJOY!!!★ CLICK TO VIEW TIME MARKS 0:48 Still Into You 4:41 That’s What You Get 8:24 For a Pessimistic, I’m Pretty Optimistic 12:23 Ignorance 16:12 Pressure 19:20 Decode 23:30 Misery Business 30:28 Ain’t It Fun 37:32 The Only Exception

Leeds United Football Club Colors

100 Anniversary Gold Leeds United Football Club

Live Performance of Paramore’s Misery Business | GRAMMYs

On April 10, 2013, Paramore celebrated the release of their new album by performing on the rooftop at the Hollywood Towers as part of the GRAMMY.com/98.7 Penthouse Concert series. Here is a live, acoustic version of their new single, “Still Into You.

 

Portrait of Cat up close by Franklin Crawford
Uploaded on November 4, 2021 image two figurines at window sill talking

Paramore: Decode [OFFICIAL VIDEO]

Paramore – Decode (Acoustic)

 

 

 

LYRICS
How can I decide what’s right?
When you’re clouding up my mind
I can’t win your losing fight all the time
How can I ever own what’s mine
When you’re always taking sides
But you won’t take away my pride
No not this time
Not this time

How did we get here?
Well I used to know you so well
How did we get here?
Well I think I know

The truth is hiding in your eyes
And its hanging on your tongue
Just boiling in my blood
But you think that I can’t see
What kind of man that you are
If you’re a man at all
Well I will figure this one out
On my own
I’m screaming, I love you so
On my own
My thoughts you can’t decode

How did we get here?
Well I used to know you so well, yeah
How did we get here?
Well I think I know

Do you see what we’ve done?
We’ve gone and made such fools of ourselves
Do you see what we’ve done?
We’ve gone and made such fools of ourselves

Yeah

How did we get here?
Well I used to know you so well, yeah yeah
How did we get here?
Well I used to know you so well

I think I know
I think I know

Ooh, there is something
I see in you
It might kill me
I want it to be true
Source videos
View attributions
Music in this video

Song
Decode (Twilight Soundtrack Version)
Artist
Paramore
Album
Decode
Licensed to YouTube by
WMG (on behalf of Fueled By Ramen/Atlantic); CMRRA, UMPI, LatinAutor – UMPG, ASCAP, LatinAutor – Warner Chappell, Warner Chappell, Adorando Brazil, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM, Polaris Hub AB, LatinAutorPerf, Capitol CMG Publishing, PEDL, and 17 Music Rights Societies

Paramore – The Only Exception – NRK

 

 

Paramore: The Only Exception [OFFICIAL VIDEO]

LYRICS

When I was younger I saw my daddy cry
And curse at the wind
He broke his own heart and I watched
As he tried to reassemble it

And my momma swore
That she would never let herself forget
And that was the day that I promised
I’d never sing of love if it does not exist

But darling,
You are the only exception
You are the only exception
You are the only exception
You are the only exception

Maybe I know somewhere
Deep in my soul
That love never lasts
And we’ve got to find other ways
To make it alone
Or keep a straight face
And I’ve always lived like this
Keeping a comfortable distance
And up until now, I’ve sworn to myself
That I’m content with loneliness

Because none of it was ever worth the risk

Well you are the only exception
You are the only exception
You are the only exception
You are the only exception
You are the only exception

I’ve got a tight grip on reality
But I can’t let go of what’s in front of me here
I know you’re leaving in the morning
When you wake up
Leave me with some kind of proof it’s not a dream

You are the only exception
You are the only exception
You are the only exception
You are the only exception

You are the only exception
You are the only exception
You are the only exception
You are the only exception

And I’m on my way to believing
Oh, and I’m on my way to believing

Is the BMPCC 4K still worth it in 2021? | STOP ASKING

 

There seems to be an influx of videos on YouTube asking if "the BMPCC4K is still worth it." It's time to stop asking. In this video, we cover why it's still worth it in 2021 and for the next 5 years. What do you think?

BMPCC4K 2022 | Best budget cinema camera for filmmakers

 

Should you buy the Black magic pocket cinema camera 4k in 2022? Well, it depends. This is my journey and process on how I came to decide that is was the best camera for me and my budget. I've been using the BMPCC4K for over 6 months now so here are my thoughts.

A budding filmmaker like you needs the Blackmagic Pocket 4k VS Hollywood Movie Camera | Red Dragon

 

BMPCC 4K Review - I spent one year with the Blackmagic Pocket Cinema 4K, am I still in love?

BMPCC 4K Review - I spent one year with the Blackmagic Pocket Cinema 4K, am I still in love? Another BMPCC 4K Review?! I didn't just buy the Pocket 4K and use it for a week. I used the BMPCC 4K for a full year before producing this in-depth camera review on the Blackmagic Pocket Cinema 4K to provide my fellow filmmakers with the knowledge they need before you purchase the Pocket 4K. Find out why in 2020, I think the BMPCC 4K is the best value cinema camera for filmmakers like you. Learn how I put this entry-level cinema camera to the test when it comes to filmmaking and videography work in the field. In this 1-year review, I also show you some BMPCC4K Footage that I've shot, as well as show you some low-light footage from the BMPCC 4K.