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Tift is an important Artist
Now how does she stand up as a songwriter-as good as Joni Mitchell? Is this even a fair comparison? My answer is yes and yes. Tift has matured as a songwriter over the years but even the early songs show signs of a mature, wise beyond chronological years artist. So many other artists may come to mind or be put there by other music writers and critics.
Singer/songwriter Tift Merritt
Between the Carbines and the Two Dollar Pistols, Merritt was becoming a popular figure in the North Carolina roots music community, and in early 2000 Merritt and the Carbines seemed poised to sign a contract with Sugar Hill Records. The deal fell through at the last minute, but when Merritt won the Chris Austin Songwriting Contest at the annual 2000 Merlefest Music Festival, it sparked a new round of interest in her work. Fellow North Carolina native Ryan Adams brought Merritt to the attention of his manager, Frank Callari, and he began shopping a record deal for her; when he was hired as an A&R executive for the Universal-distributed roots music label Lost Highway, Merritt became one of his first signings. (While Merritt was signed as a solo act, she’s continued to use the Carbines as her backing band, both for live shows and for the recording of Bramble Rose.) Her debut album was released to enthusiastic reviews in June 2002. The George Drakoulias-produced Tambourine appeared two years later, followed by Another Country in 2008, and the live Buckingham Solo in 2009, both on Fantasy Records. Traveling Alone, recorded in Brooklyn and featuring guest spots from Marc Ribot, Andrew Bird, and others, appeared in the fall of 2012. Merritt teamed up with classical pianist Simone Dinnerstein for a unique collaborative project, the 2013 album Night, in which they performed a variety of pop, folk, jazz, and classical pieces. Merritt also collaborated with Andrew Bird in his group the Hands of Glory, appearing on their 2014 album, Things Are Really Great Here, Sort Of
Tift Merritt wastes no time gettin’ to it on Stitch of the World, kicking off with the rowdy, countrified folk of “Dusty Old Man.” Piano-led weeper “Heartache Is an Uphill Climb” follows in dramatic fashion, showcasing her commanding warble. Merritt’s deft songwriting contains multitudes, and she gets mystical on the album’s title track with a windswept arrangement that conjures dark desert nights. And Sam Beam, a.k.a. Iron &